Racial Identity and the Patterns of Consolation in the Poetry of Robert Hayden
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The Journal of Bahá'í Studies 3 2, 35-46Abstract: Few critics have given Robert Hayden's poetry the careful reading it deserves and demands. As a result, his work has almost inevitably been misinterpreted and misunderstood. A more significant result is that the dramatic tension in his work has often been mistaken for personal ambivalence and confusion with regard to both his ethnic identity and his beliefs as a Bahá'í. However, an accurate and careful reading of his work in light of the unmistakably clear allusions in his poetry to his beliefs as a Bahá'í reveal neither ambivalence nor confusion, but a clear pattern of consolidation that unites both of these points of view.
Few critics have given Robert Hayden's poetry the careful reading it deserves and demands. As a result, his work has almost inevitably been misinterpreted and misunderstood. A more significant result is that the dramatic tension in his work has often been mistaken for personal ambivalence and confusion with regard to both his ethnic identity and his beliefs as a Bahá'í. However, an accurate and careful reading of his work in light of the unmistakably clear allusions in his poetry to his beliefs as a Bahá'í reveal neither ambivalence nor confusion, but a clear pattern of consolidation that unites both of these points of view.